“Struck with the accounts of magical exhibitions witnessed and recorded by travelers of every age who had visited Tartary and Thibet, Colonel Yule comes to the conclusion that the natives must have had “at their command the whole encyclopaedia of modern ‘Spiritualists’. Duhalde mentions among their sorceries the art of producing by their invocations the figures of Laotsen and their divinities in the air, and of making a pencil write answers to questions without anybody touching it.”
The former invocations pertain to religious mysteries of their sanctuaries; if done otherwise, or for the sake of gain, they are considered sorcery, necromancy, and strictly forbidden. The latter art, that of making a pencil write without contact, was known and practiced in China and other countries before the Christian era. It is the ABC of magic in those countries.
When Hiouen-Thsang desired to adore the shadow of Buddha, it was not to “professional magicians” that he resorted, but to the power of his own soul-invocation, the power of prayer, faith, and contemplation. All was dark and dreary near the cavern in which the miracle was alleged to take place sometimes.
Hiouen-Thsang entered and began his devotions. He made 100 salutations, but neither saw nor heard anything. Then, thinking himself too, sinful, he cried bitterly, and despaired. But as he was going to give up all hope, he perceived on the eastern wall a feeble light, but it disappeared. He renewed his prayers, full of hope this time, and again he saw the light, which flashed and disappeared again.
After this he made a solemn vow: he would not leave the cave till he had the rapture to see at last, the shadow of the “Venerable of the Age”. He had to wait longer after this, for only after 200 prayers was the dark cave suddenly “bathed in light, and the shadow of Buddha, of a brilliant white color, rose majestically on the wall, as when the clouds suddenly open, and, all at once, display the marvelous image of the ‘Mountain of Light’. A dazzling splendor lighted up the features of the divine countenance. Hiouen-Thsang was lost in contemplation and wonder, and would not turn his eyes away from the sublime and incomparable object.”
Hiouen-Thsang adds in his own diary, See-yu-kee, that it is only when man prays with sincere faith, and if he has received from above a hidden impression, that he sees the shadow clearly, but he cannot enjoy the sight for any length of time.”
H. P. Blavatsky