stanza 5, slokas 1-5

Stanza V
1. The Primordial Seven, the First Seven Breaths of the Dragon of Wisdom, produce in their turn from their Holy Circumgyrating Breaths the Fiery Whirlwind.
2. They make of Him the Messenger of their will. The Dzyu becomes Fohat, the swift son of the Divine sons whose sons are the Lipika, runs circular errands. Fohat is the steed and the thought is the rider. He passes like lightning through the fiery clouds; takes three, and five, and seven strides through the seven regions above, and the seven below. He lifts his voice, and calls the innumerable sparks, and joins them.
3. He is their guiding spirit and leader. When he commences work, he separate the sparks of the Lower Kingdom that float and thrill with joy in their radiant dwellings, and form therewith the germs of wheels. He places them in the six directions of space, and one in the middle – the central wheel.
4. Fohat traces spiral lines to unite the sixth to the seventh – the crown; an army of the Sons of Light stands at each angle, and the Lipika in the middle wheel. They say: This is good , the first Divine world is ready, the first is now the second. Then the “Divine Arupa” reflects Itself in Chhaya Loka, the first garment of the Anupadaka.
5. Fohat takes five strides and builds a winged wheel at each corner of the square, for the four holy ones and their armies.

 

 
“Mr. Kingsland:  Then it is only good, relatively?

 
Mr. A. Keightley:  Is the “Chhaya-loka” – explained here as the shadowy world of primal form, or the intellectual – the same as what is called in the diagram on page 200 {of The Secret Doctrine} as the “Archetypal World”?  Or is it what is there called the intellectual or creative world?

 
Mme. Blavatsky:  The Archetypal World and the intellectual world; and of that, you can see in the Kabalah, it shows four planes. Take Mathers’ (Kabbala Denudata: The Kabbalah Unveiled), there it is shown. Don’t show it to me. I know it by heart.

 
The Archetypal World may be compared to the thought of man {that} precedes action; this is the kind of individual Manas in the light of the universal intelligence.

 
The artist conceives his idea first of all, before he begins to work, but before he can paint his picture he has to gather and prepare his materials in accordance with the plans that are in his mind.

 
He stretches his canvas and grinds his colours. This is on the intellectual or creative world. Then he roughly sketches his idea on the canvas, and this may be compared to the presentment in the substantial or affirmative {formative} world. If you follow there, you will see what I mean. He fills in all the details and the picture is ready.

 
In the physical aspect there, they are the four planes. So it is in nature. I do not speak about the three higher, because they cannot be expressed in human language. The universal mind is above what they call the Divine ideation.

 
This is a thing which cannot be expressed, but this Divine ideation falls, so to say, from the beginning; and when I say from the beginning, it means there is no beginning and no end; and the light of it will fall on the Archetypal World where are the antetypes or prototypes of everything; there would be nothing, not even this old carpet, if there was not an antetype or prototype. You understand my idea?

 
Mr. Kenealy:  Yes, I think that is very clear.”

 
H. P. Blavatsky

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