“”Every craftsman can behold, in Egyptian monuments, the progress of his art 4,000 years ago; and whether it be a wheelwright building a chariot, a shoemaker drawing his twine, a leather-cutter using the self-same form of knife of old as is considered the best form now, a weaver throwing the same hand-shuttle, a whitesmith using that identical form of blow-pipe but lately recognized to be the most efficient, the seal-engraver cutting, in hieroglyphics, such names as Schooho’s, above 4,300 years ago, all these, and many more astounding evidences of Egyptian priority, now require but a glance at the plates of Rossellini.” “Truly”, exclaims Mr. Peebles, “these Ramsean temples and tombs were as much a marvel to the Grecian Herodotus as they are to us!”
But, even then, the merciless hand of time had left its traces upon their structures, and some of them, whose very memory would be lost were it not for the Books of Hermes, had been swept away into the oblivion of the ages. King after king, and dynasty after dynasty had passed in a glittering pageant before the eyes of succeeding generations and their renown had filled the habitable globe. The same pall of forgetfulness had fallen upon them and their monuments alike, before the first of our historical authorities, Herodotus, preserved for posterity the remembrance of that wonder of the world, the great Labyrinth.
The long accepted Biblical chronology has so cramped the minds of not only the clergy, but even our scarce-unfettered scientists, that in treating of prehistoric remains in different parts of the world, a constant fear is manifested on their part to trespass beyond the period of 6,000 years, hitherto allowed by theology as the age of the world.
Herodotus found the Labyrinth already in ruins; but nevertheless his admiration for the genius of its builders knew no bounds. He regarded it as far more marvelous than the pyramids themselves, and, as an eye-witness, minutely describes it.”
H. P. Blavatsky