I Pray All Is Well With Everyone…And Your Hearts And Minds Are Full Of Love, Joy, And Compassion…For Yourselves And Everyone Else…All Around The World! And Every Minute Of Every Hour – Twenty-Four Hours A Day; And Every Day Of Every Week; And Every Week In Every Month; And Every Month Of Every Year; And All The Seasons That Be; Our Hearts And Minds Should Be Full Of Those Higher Qualities For All Life Everywhere! But If There Are Still Some Individuals Who Find It Difficult To Sincerely Love Themselves And Others â For Whatever Reasons; Let This Be The Minute, The Hour, The Day; The Week, The Month, The YearâŚAnd The Season; That We All Look Beyond Those Preconceived Notions And Conditionings â Past All The Darkness That May Lie Within; And Connect With Our Very Own âMighty I AM Presenceâ â The Love And Light Of Our Being! And Be The Sincere Love In The Earth…That This World Need! AmenâŚ![]()
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Give Thanks And Praises For Love And LifeâŚ![]()
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And Yâall Be LoveâŚ![]()
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âAstrology was the mother, as she was the precursor of Astronomy, and was once a power; into whatever mean roads the exercise of the art of her servants has strayed now, in unworthy and indign divination; and in the base proffer of supposed Gipsy arts – ministration becomes ridiculous (or made so), which was once mighty and sublime.
The pyramidal or triangular form which Fire assumes in its ascent to heaven is in the monolithic typology used to signify the great generative power. We have only to look at Stonehenge, Ellora, the Babel-Towers of Central America, the gigantic ruins scattered all over Tartary and India, to see how gloriously they symbolized the majesty of the Supreme. To these uprights, obelisks, or lithoi of the old world, including the Bethel , or Jacobâs Pillar or Pillow, raised in the Plain of âLuzâ, we will add, as the commemorative or reminding shape of the fire, the Pyramids of Egypt, the Millenarius, Gnomon, Mete-Stone, or Mark, called âLondon Stoneâ; all Crosses raised at the junction of four roads, all Market-Crosses, the Round Towers of Ireland, and, in all the changeful aspects of their genealogy, all spires and towers, in their grand hieroglyphic proclamation, all over the world. All these are Phalli and express a sublime meaning.
Aries, Taurus, Gemini, Cancer, Leo, Virgo, are the six first âSignsâ; and they collectively (in their annual succession) form the âMacrocosmosâ of the Kabalists. Then succeeds the âturning pointâ, âbalancesâ, or ânaveâ (navel), of the astronomical wheel, represented by the sign âLibraâ, which, be it remembered, was added by the imaginative (and therefore, practically inventive) Greeks. The foregoing, up to âLibraâ, represent the âascending signsâ, or six of the spokes, so to speak, of the annual zodiacal wheel, circling to the zenith or vertex. The last six âSignsâ of the zodiac are called âdescending signsâ, and they are the sinister, autumnal, or changing, in reverse, monthly spaces, each of thirty degrees, and again comprising six radii of this celestial wheel, or this âEzekielâs Wheel.â

The turning-point is âVirgo-Scorpioâ, which, until separated in the mythical interruption from without at the âjunction-pointâ, between ascent and descent, were the same âsingle sign.â The latter half (or left wing of this grand zodiacal â armyâ, or âhost of heavenâ, drawn up in battle array, and headed as, by a figure, we shall choose to say – by the âArchangel Michaelâ, or the Sun, at the centre, or in the â championâ, or âconquering pointâ) is called by the Kabalists – and therefore by the Rosicrucians – the abstract âMicrocosmosâ, in which âMicrocosmâ, or â Little Worldâ, in opposition to the â Macrocosmâ, or âGreat Worldâ, is to be found âManâ, as produced in it from the operations from above, and to be saved in the âGreat Sacrificeâ (Crucifixion Act), the phenomena of the being (Man), taking place âin the mythic return of the world.â
All this is incomprehensible, except in the strange mysticism of the Gnostics and the Kabalists; and the whole theory requires a key of explanation to render it intelligible; which key is only darkly referred to as possible, but refused absolutely, by these extraordinary men, as not permissible to be disclosed. As they, however, were very fond of diagrams and mystic figures, of which they left many in those rarities (mostly ill-executed, but each wonderfully suggestive) called âGnostic gemsâ, we will supply a seeming elucidation of this their astrological assumption of âwhat was earliest for which see the succeeding figure.
Libra (the Balances) leads again off as the âhinge pointâ, introducing the six winter signs, which are: Libra again, Scorpio, Sagittarius, Capricornus, Aquarius, and Pisces.  Turning-pointâLibra (The sign âLibraâ was added by the Greeks.) The first six signs, or ascending signs, are represented by the celestial perpendicular, or descending ray. The last six signs, or descending signs, are represented by the terrestrial ground-line, or horizontal, or âequatorialâ (symbol, or sigma). The union of these (at the intersection of these rays) at the junction-point, or middle point, forms the âCrossâ, as thus:

In figure C, the union of figure 16 and figure 17 forms the cross. Figure 18 is the mundane circle. Figure 19 is the astronomical cross upon the mundane circle. The union of figures 18, 17, and 16, in this respective order, gives the crux-ansata, so continual in all the Egyptian sculptures, which mark, or sign is also the symbol of the Planet Venus, as below.

Their origin is thus traced clearly to the same original meanings, which reappear under all sorts of disguises, and are varied in innumerable ingenious ways, in all the mythologies – incessantly disclosing, and inviting, and as continually evading and escaping discovery. This abstruse mark particularly abounds in the Egyptian temples, where every object and every figure present it. Its real meaning is, however, intended to be buried in profound darkness.â
The Rosicrucians, by Hargrave Jennings, 1879
Still Standing – Anno Domini Beats

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